The crown is heavy - Mr Beast and the recent hubhub

More than a decade ago, I read a play by Jean Genet called Balcony. The play is set in a brothel in an unnamed city which is undergoing a revolution/rebellion. The brothel is a make-believe stage where one can indulge in activities of power and control, which is crumbling outside in the city. The clients of the brothel participate in role-playing and act out their dreams and fantasies. 

Genet, himself the son of a prostitute, was a politically charged French poet, playwright and an activist. His plays highlight power centers and established norms and subversion. 

But he also believed that once a revolution achieved its goals and established a new order, this new order would inevitably come with its own set of problems and forms of oppression.

I have not seen Mr Beast's videos in the last few/couple of years. But I have seen his early videos helping people or giving gifts to unfortunate people. Last time I saw him, he was driving a charity effort helping some children get better eye care. So the news that is cropping up recently and shocking the Youtube-verse could be stunning for many. The more news we hear, the worse it sounds.

If we collate Balcony and Genet with this situation, this was bound to happen. When climbing up the stairs of success, one is subversive and breaking the mold and displacing the status quo. In their mind, they are fresh, young blood and revolutionary - Pioneers.
But once established, it all goes down the same way. Rumors surrounding unsafe working conditions were the start; Now there is news of racism, homophobia, hiring criminals, and CP, among others. 

Investigation is ongoing but usually big corporations get away or bury such stories. And Mr Beast and his team is the gigantic mammoth bringing millions of views regularly to Youtube. So all this could be silenced or maybe there could be another quiet rebel working his way up again... 

But we are just here for the content, right?

Freeloaders and Bloodsuckers

 

 

Usually I avoid viewing any Oscar International film winner/nominees just out of the sheer annoyance that all winners are usually representing movies that are representations of stereotypical innateness of the country or exaggerating human emotions.
It also makes me realise the apathy I feel to some human emotions if they are portrayed as melodramatic. Maybe it is because we now have shorter attention spans or maybe our head has been corroded due to the continuous barrage of useless information we receive.

In any case, I am glad I saw Parasite. I had some idea of the plot but no idea about how it would be handled. I went in expecting to see destitution and poverty and class divide. And I saw it but not how I was expecting.

My thoughts: 

-The social commentary blended within the story, has been so starkly represented and yet I felt I was so engrossed in the film that I forgot to view it. 

-I am glad my fears were proven wrong. The movie did not have a dull moment. It went fast and obviously packed a punch.

-The movie could be set in any country or any city, especially in Asia and would be appropriate. Capitalism and class divide are uniform wherever one goes. 

- Usually Korean dramas are full of fake opulence and superficial luxury; usually in the chaebol dramas of rich boy/poor girl. But it is refreshing to see that there is a realization of it being just fiction. The class divide is so bleak and serious, and superbly highlighted after every few minutes (by the fragrance/smell storyline). It is something that is intangible and yet it sparks the final actions of Mr Kim.

-While the Kim family is indulging in the rich lifestyle, I was so anxious that they will be facing their doom. And was I wrong?

-There have been many movies that have been released this decade regarding Phrogging. It is so scary and would be so traumatic. 

- The Japanese show Parasite (Kiseichuu) is about an alien entering a boy and who then becomes the vessel who is half-human and half-parasite. Worth a watch if you prefer some darkness in life.     

Reappearance

 

It's been ages (=a decade) since I accessed this blog. Even though it has stayed alive in some recesses of my mind/soul, I gave up writing. I always viewed writing as something I liked to do rather than a cathartic experience, which it could have been. I am not sure if I would be able to continue on this journey for long given work deadlines and personal commitments; But let me try my hand again at this. 

Maybe this time I will be satisfied with what I write. I plan to maybe write about movies and series and podcasts I devour. I still do not think I am well-versed with the music scene, so will refrain from that. That said, maybe Homecoming is a gigantic term to start off with. So I call this a return, or arrival.   

This is the End

Because words have blood in them.

back to school

Japanese audience loves its school dramas. Whether it is a romantic comedy set in school like Hana Yori Dango or it’s something like Great Teacher Onizuka where a former thug comes to school to make a difference in the lives of his students. The newest addition to this genre is 35-year-old high school student, where a woman returns to school to complete her graduation.

School dramas mostly deal with issues like bullying, isolation, friendship and peer pressure, lawlessness, depression, and relations between teachers and students. Baba (whose name means an old woman) joins a high school class teeming with such issues. There are class bullies, girl gangs, troublemakers, victims and teachers who are unable to do anything. Baba, who has scars from her previous school experience, this time, tries to help others by being a strong and trustworthy character. While at school she helps the class get closer with each other and tackles issues which the school staff wants to avoid or brush under the carpet.

Films like Billy Madison, etc deal with this issue in a lighter vein but Japanese television takes school issues very seriously and churns out school dramas every season. However, the only drawback to this is that the themes and issues get repetitive. Also, as these dramas are usually led by a strong main character, this would mean that the lead has to be convincing and do a stellar job wooing the class and the audience.

Through her eyes

What Maisie knew tackles divorce and separation through the eyes of a young girl who is caught between her parent's feud and distance. The film follows her and what she sees and it is her perspective and vision that the audience is shown. Maisie’s life with her paranoid mother and withdrawn father might play out like “a Jacobean tragedy”, but the film does not focus solely on that.

Although the subject of divorce and what it does to the child isn’t something new, the film keeps the girl at the centre and also does not use her vantage point to build stories about the parents and the separation. We do see the shuffling between parents and their new spouses, picking up the pieces and adjusting to life again. We also see that the interests of the child, who is being vied at the time of the divorce proceedings, seem to take a backseat to personal demands and and petty ego.

Although in transferring from parent to parent, the child becomes a casualty of misunderstanding and never-ending feuds, sometimes Maisie’s innocence and brightness seem to make the mishap around her seem less damaged. There is a sense of flow in Maisie’s life as she travels from one guardian to another and even though she might seem suddenly lonely, she immediately pops back to being a happy kid when she is shown love, affection and attention. The movie is precariously balanced on Maisie, who as a child is undergoing sudden and disturbing change in her life. The film and her life may collapse at any moment but somehow, through her vitality and through the kindness of strangers, she manages to stay afloat. 

Grim little sleepy town

ITV’s Broadchurch is about a small town that comes to the forefront when an 11-year-old boy dies under suspicious circumstances. Mostly, the show deals with the aftermath of a young boy's death as the family and the town copes with the onslaught of grief and attention.

The show stars Barty Crouch aka David Tennant as an ill and tired DI Alec Hardy supported by DC Miller, played by Olivia Colman. Doubt is in the air and suspicion fall on everyone who is even remotely linked to the case. Both follow leads and clues and often end up reaching nowhere. There is a lot of misdirection but slowly all the false clues are eliminated.

Small town murder mysteries often remind me of Miss Marple mysteries that are teeming with undercurrents. There are incestuous dealings, gossip and rumour mills, nosy neighbours, and just plain people hiding truth that have nothing to do with the murder. 
(Also reminded me of Murder she wrote, where a sleepy town in Maine becomes the victim of a grim crime, much too often.)

There is a lot of similarity between Broadchurch and the Danish hit Forbrydelson (also called The Killing), which also deals with a single murder throughout the series: A town rocked by an unexpected murder but while Forbrydelson had a political angle attached to it, Broadchurch focuses on the lives of people shattered by the tragedy. I would recommend this series. Although the end might not be very surprising (at least it was not for me), the ride is enjoyable. The scenery is wonderful and spectacular, the dialogues crisp. How a single murder can set off a series of onslaughts has been explored quite well.

Saving the damsels in distress

Lucius Malfoy… excuse me, Jason Isaacs stars in this fast-paced mystery drama about a former cop-present detective who has a penchant for finding lost people, especially girls.

The mysteries are intriguing and the chase by the lone detective are rewarding. The stories are intertwined and flow into each other and sometimes we have to follow three cases at once. From finding a girl who went missing 20 years ago to aiding a crime novelist in his who gets embroiled in an accident, Scottish detective Jackson Brodie is the unlucky detective, who is always at the right place at the wrong time and loves his old American country songs.

What I liked about the series was that it did not try to be more than what it is. There is the mystery that is tackled and sometimes we are made privy to Brodie’s internal struggle as he continues to deal with the drowning of his sister when he was a child. Comparing this to Wallander, I found Case Histories to be a better drama in terms of pace, storyline and action. Wallander mostly took place inside the mind but Case Histories takes you where you want to be.

The failings of House of Cards

House of Cards is a political drama about a Congressman Frank Underwood who has a promised Secretary of State post taken away from him. The story charts how he follows through on his thwarted ambitions. A man of means, Underwood shows you all the dirt and is of course not afraid to get his hands dirty in the process.

House of cards starts off strongly. The first 5 episodes are enough to convince you that it is a must-watch series. There are sneaky machinations, string-pulling, corruption trails, revenge plots, and some political absurdities along the way.

But the excitement soon fizzles as you realize that it is the same thing happening all over again. Deceit and lies are served as the main course but the dishes become monotonous as you keep being served.

What I like about the series are the small pauses where the fourth wall breaks and the Underwood addresses us with what he really thinks; sometimes it becomes a welcome break from all the lies he spews and churns.

House of Cards falls bit by bit as the ambitions of Francis Underwood (played by the gracefully ageing Kevin Spacey) rise. The series fails to capture the characters and their development; Underwood’s wife Claire becomes small in comparison to her husband’s goals and aims and she often becomes a casualty of her husband’s plans. The growth of other characters is also uneven.

The series, a strong Emmy contender, is a good series, no doubt. But I have to agree with Alan Sepinwall, who says that the show might have been “a mid-tier drama for HBO or Showtime.” I started to lose interest mid-way and it is only Kevin Spacey who has manages to deliver a strong performance through out the 13 episodes.

Throne of Blood

I finally picked up Kurosawa’s Throne of Blood, which had been lying with me for a few years. Kurosawa’s films are a treat to watch and ofcourse, Rashomon is a must for film/literature lovers.

Based on Macbeth, the film follows the Samurai commander Washizu (played by the very charming and able Toshiro Mifune) who hears a prophecy by a forest spirit declaring him first, the master of the North castle and next, as the Lord of the Spider Web Castle. As the first prediction comes true, Washizu, pushed by his ambitious wife Asaji, kills the current lord and takes over his position.

However, the forest spirit also foretold that another commander’s son would become the Lord after Washizu, who then spirals into an endless and a frantic struggle to maintain his power.

The movie, like the play it is based on, deals with the question of predestination and free will. Predestination becomes the cover for actions that are fuelled by ambition and ruthlessness (classic Shakespeare!).

The film is beautifully-shot and has few dialogues. There is vast emptiness and ominous sounds, which just seem to highlight the troubled minds of the protagonist. Lady Asaji portrays her madness and villainy with ease and brilliance. Washizu, led by his wife’s direction, commits what he thinks is his destiny. (But we know better)

Themes of prophecy/predestination and free will are a source of delight and/or discussion, at least for me. Another recent reference that comes to mind is of course Harry Potter. I would love to watch more movies dealing with this theme. Any ideas?

p.s. Lord Krishna is another one!